The campaign by American photographer Nan Goldin to shame galleries and museums into cutting ties with the Sackler families, the owners of OxyContin manufacturer Purdue Pharma, was always under a lens — that was part of its point. Beginning in 2018, a number of noisy protests at some of the art world's finest institutions, including the Met, the Guggenheim and the Louvre, were designed to attract as much publicity as possible as they highlighted the horrors of the United States' opioid epidemic and called out Purdue Pharma's role in it. They proved highly effective.
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